Create – BAMs Idea Progression

I spoke to Ingrid about my idea of making a medal that was a kind of talisman of positivity to keep in your pocket to remind you that there is still beauty and kindness in this troubled world. I also explained that I had been inspired by the paralympic medal, the letter from the blind visitor to the Barbara Hepworth museum and my research into how the blind see beauty – through their other senses (see previous blog post).

At this time I was thinking my medal would have a tactile Barbara Hepworth inspired ‘holey’ centre, with vignettes of woodland & beach on one side, mountain and night sky on the other to represent the aspects of nature I run away to when it all gets too much. I was thinking around the edge it would have ‘There is beauty in this world’ in english and braille, and I was hoping there would be away of making the medal interact with a phone to play sounds such as woodland birds singing and crunching leaves for woodland, waves crashing for the beach,  mountain streams and squawking buzzards and eagles for mountains and hooting owls for starry sky.

Unfortunately Ingrid didn’t know of any way to make my medal make sounds as I wanted and also pointed out that the thickness I would need to achieve the Barbara Hepworth-esque centre would be too thick for the BAMs judges – they wouldn’t like it as it would be too 3d sculptural.

I explained the root of my idea was my summer contemplations about what I want to do and where I want to go with my studies. In the last couple of years in furthering my artistic education, the way I think about art has changed and I have learned a lot and grown, yet I found I still have a desire to get back to what originally inspired me to get back into Art – the local scenery around Abergavenny. The beauty and tranquility changed my life and I have an overwhelming need to try to capture it, as many local artists do! There is a large artist/designer/maker community in and around Abergavenny and Crickhowell with many local artists and galleries. Many capture the beauty of the area but nothing really compares to the feeling of actually being in the landscape. Here are a few of my favourites:

Louise Collis – Abergavenny Artist Oil Painter

Hannah Firmin – Crickhowell Artist Printmaker

Owen Shears – Abergavenny Poet – “Skirrid Hill”

Ingrid suggested if my medal was going to be designed to be kept in the pocket it should have a use – maybe as a viewfinder with GPS co-ordinates & *CLICK* it all fitted into place in my mind!

I could find a perfect viewpoint of the Skirrid, take a photo & the exact GPS co-ordinates. The image on the ‘head’ of the medal would be the image of Skirrid, but with the actual mountain cut-out, so you could go to the exact spot where the image was captured using the GPS co-ordinates, hold up the medal & fit Y Skirrid Fawr into the hole in the medal. On the tail of the medal will be a walking map from the spot to the top of the mountain, which brings in the whole ‘being in the landscape’ element rather than just looking at an image of it.

The walk makes more sense to me, as exercise and spending time in nature are proven to help with depression, which links to my idea for creating a positivity talisman – an escape from the negativity of both media and social media & the troubles of the world.

Mind website – What Can I Do To Help Myself For Depression

This took it to another level for me and rather than seeing this as an introspective personal project I now see it as a method of showing others the way – literally!  With a map!

The relationship between the head and tail also makes a lot more sense to me, with the head being the starting point and the tail being the journey.

There is also the potential for this to be taken into Pewter and for the subject to be anywhere, making it possible to cross over from the BAMs project to the Pewter Live project.

I was thinking when I was growing up my grandparents used to live in Shottery, Stratford-Upon-Avon near Anne Hathaways cottage. Opposite Anne Hathaways cottage is a little brook where you can see the cottage but no-one can really see you – the tourists don’t know you’re there. They used to take me on a lovely little walk along the brook, where you can paddle in the clear water, take your shoes off and walk across the gentle weir, feed the ducks and I have seen foxes, badgers, woodpeckers…It’s where I used to escape to as a teenager when things got too much & it would be a perfect subject for someone based in the midlands.  There are famous landmarks with accompanying nature walks all over the world.

Create – the Opportunities

Library live – Book Art & Construction

Creating an Artists Book out of a single sheet of A2 paper around the subject of written communication.

I’m quite excited about this one, having researched Book Art for my Foundation Diploma in Art & Design. I would like to go back to the V&A where you can retrieve actual artists books from the archives. I was particularly inspired by ‘Map ed Veveiis’, artist’s book, by Genevieve Seille:

'Map ed Veveiis', artist's book, by Genevieve Seille, 1990. Pressmark X920025

An opportunity to further research artists books but also the history of written communication.

St Fagan’s – Referencing Tradition

Looking at an artefact from St Fagans and either updating it for todays use considering function, materials etc…

I like the idea of being able to research an object that we look at and think ‘what the hell did they use that for???’, find out all about it and re-interpret it. I had quite a few ideas whilst at St Fagans in the archives – the butter presses – so beautiful but unnecessary these days. Knitting needle holders – how did they work?! I can’t see how they would actually hold a knitting needle & why would you want something to hold one knitting needle? What did they knit? The crochet and lace drawers – I would love to spend time looking through them and re-creating the patterns – I immediately had ideas about using natural fibres and plant dyes to make lampshades, weighted down with pewter to help ‘block’ it (keeping it stretched in shape). I would also like to further my research into tatting – a form of lace making with a bobbin.

Pewter live

Design an item where the materials used must be at least 50% pewter – 3 options: 1) new slant on traditional items 2) giftware 3) Jewellery…the kind of things you find in high end department stores like John Lewis & Selfridges.

In my mind this kind of crosses over with my idea for the St Fagans opportunity – combining crochet and re-interpreted lace/crochet but also opens up the possibility of jewellery. Again, quite inspired by this brief.

BAMS

Design a palm-sized bronze medal in relief (not 3d) taking into consideration the two sides & edge & the dialogue between them, material, patination, subject, plane, perspective & expression of your idea – getting your point across.

Over the summer I have been thinking about what got me back into art & why I am here. The answer that I came up with is that Art & Nature are my escapes when I am in a negative headspace, whether it be sad, worried, stressed, angry…they are the 2 things I turn to. I want my art practice to not only help me at such times but to provide the same for the viewer – I want my work to exude positivity & remind people that there is beauty, kindness and good in this world, despite the overwhelming saturation of negativity we seem to be facing in the form of politics, global warming, plastic pollution, animal welfare, social welfare etc…I don’t want to highlight the issues we face – we get enough of that from social media & the news. I want art to provide an opportunity to escape from them.

We were tasked with preparing for this particular Opportunity over the summer, so for my homework I visited Tate St. Ives & the Barbara Hepworth museum and gardens in St Ives and also visited the Royal Mint independently of Uni. Combined with my general thoughts over the summer about my practice, 2 things have inspired me.

At the Barbara Hepworth Museum, in the conservatory was a laminated letter from a blind gentleman who had visited and been guided around by Barbara. He talks about how her lost wax casts feel when others only see and how his hand was pushed through one of her sculptures – the space where the stone should have been – the contrast of the warmth of the sun in the space and the cold of the shadow of the stone.

At the Royal Mint, the Paralympic Medals caught my attention – the textures & Braille designed to be much more textural than visual, yet in my opinion more visually appealing anyway. Obviously you can’t touch them as they are in a case!

Thinking about the BAMS medal opportunity, the size, weight, material and shape would be perfect to keep in your pocket or handbag as a kind of positivity talisman rather than putting in a display case or – something to reach for when you need reminding that there is beauty in this world. I was originally thinking for blind/visually impaired people, but the more I have thought about it why be exclusive? Sometimes I can’t just run away to the hills, woods or ocean, so it could be universally uplifting. I haven’t finalised the design yet, but I want it to include nature, art, wording in English & braille, patination & colour for sighted people as colour is hugely important to me and from an EDGE perspective I want to see if it is possible to include sound. Having dipped my toes into researching (I have a lot more to do!) I understand that many blind people hear beauty instead of seeing it – the sound of birds singing, the sound of waves crashing on the shore, the kindness in peoples voices.

I guess from the amount I have written here I will be moving forward with this opportunity!

Craft in the Bay

Curation of an exhibition – a themed group show. I visited Craft in the Bay for their Trees that Make show. I am a fan of Hannah Firmins lino/woodblock prints so it was interesting to see her work, which included work inspired by trees but also made from the tree as a material in the form of wood carving and the paper they are printed on, together with other artists working with steam bent wood, basketry, natural dyes from the bark, leaves & seeds of trees etc…

It would give huge insight into how to get your work included into a show by being part of a group curating one – seeing things from the other side fo the fence. What is taken into consideration, how they are organised, displaying the work etc…

Made.com Talent Lab

Design a piece of furniture, submit it to the made.com talentlab & see how the crowdfunding goes…

A huge opportunity to start your own business, but also quite daunting – if your design is successful you may have to make it, maybe even mass produce it! The idea would have to be very well thought through – production techniques, standard of finish, cost of materials & you would need to know that you could make it to a professional standard of quality. I am concerned about the timing – if successful, could this potentially cause time issues in the 3rd year? I already have time issues as I need to work alongside my studies – I don’t have any spare time to include manufacturing! I might park this one until after graduation as it is open to all!

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